Vocal Jazz. Anita O'Day: The Life of a Jazz Singer is a decent film but I would recommend renting Jazz on a Summer's Day first. Published since 1970, JazzTimes—“America’s Jazz Magazine”—provides comprehensive and in-depth coverage of the jazz scene. En lire plus. One of the best pairings of an artist with a label since Frank Sinatra swung into the Capitol offices, Anita O'Day's time under the Verve umbrella (also including Clef and Norgran) resulted in some of the best pop music of her era. Anita Belle Colton . Anita O'Day, whose sassy renditions of "Honeysuckle Rose," "Sweet Georgia Brown" and other song standards that made her one of the most respected jazz vocalists of the 1940s and '50s, has died. Through all of the tumult she was never a quitter, and her durability and resilience are remarkable. Biographie de Anita O'DAY - : découvrez sa filmographie, ses dernières news et photos. Marcus Roberts, the Modern Jazz Generation, and American Symphony Orchestra: International Holocaust Remembrance Day Jazz Opera: [iNSIDE] THE JAZZ NOTE Guest Artist Series: Allison Miller – “Clap Your Hands”, 10 Best Jazz Albums of the 1970s: Critics’ Picks, The Day Louis Armstrong Lost His Color: A Short Story. My Profile. October 18, 1919 in Chicago, IL. Her voice was unique, she could deliver any songs with a swinging zest so personal. She talks about singing … O'Day's that is just they way it went down response is priceless. Le couple écopera de 90 jours de prison. Her 1958 Newport reading of “Sweet Georgia Brown” may be the definitive take on that chestnut, and she didn’t just front Gene Krupa and Roy Eldridge at the start of her career-she outshone them. As a result, her singing had a speechlike, conversational quality, with the timbre of an alto saxophone. Jazz singer Anita O'Day died of a heart attack in 2006. Anita O'Day has been listed as a level-5 vital article in People, Musicians . Within a few years, she was in California, singing with Stan Kenton, but she bridled at his group's stricter approach to music and returned to Krupa before setting off on her own as a soloist. But O’Day’s musical aptitude was always overshadowed by her considerable personal troubles, and directors Robbie Cavolina and Ian McCrudden neither whitewash nor overplay the soap-opera-esque trajectory of her life, as she survived jail time and abortion, failed marriages, alcohol abuse and a two-decade, widely reported heroin addiction instigated and enabled by her longtime drummer John Poole. This film showcases performances that date back to the 50's and clips from interviews on 60 Minutes and CBS This Morning. Bop Swing Traditional Pop Vocal Jazz. That concert seems to capture the magic better than anything else I have seen. Pairing O'Day and Peterson was akin to joining Vladimir Horowitz with Arturo Toscanini. Anita O'Day: The Life of a Jazz Singer is a decent film but I would recommend renting Jazz on a Summer's Day first. Related NPR Stories Anita O’Day … A documentary look at the improvised life of Anita O'Day (1919-2006), singer and stylist whose timing, phrasing, interpretations, and unique sound put her among the finest vocalists of jazz. Anita O'Day was one of the greatest of American jazzsingers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. All rights reserved. O’Day’s gifts as a vocalist were unassailable. Through all of the tumult she was never a quitter, and her durability and resilience are remarkable. O’Day, in interview segments conducted both during her prime and late in life, is matter-of-fact about those experiences, recounting them in a feisty, boisterous tone. In a mid-seventies interview a young Bryant Gumbel states to O'Day "Your life story involves rape, failed relationships, drugs, and multiple abortions". En 1953, elle fera un mois de prison pour consommation d’héroïne. O’Day, in interview segments conducted both during her prime and late in life, is matter-of-fact about those experiences, recounting them in a feisty, boisterous tone. There is an abiding paradox to the life of Billie Holiday, which is the core tenet of her art: In theory you should feel bad … Read More “Billie (Greenwich Entertainment)”, Starting with a zig-zagging trumpet’s blare to match the onscreen action of a canvas stroked repeatedly with colorful acrylics, John Scheinfeld’s documentary Herb Alpert Is… immediately … Read More “Herb Alpert Is… (Abramorama)”, Watching Ella Fitzgerald insist upon making her way from the streets of Harlem—and insist she does—to an outcome that anyone else would have thought beyond … Read More “Ella Fitzgerald: Just One of Those Things (Eagle Rock)”, America's jazz resource, delivered to your inbox. "Anita O'Day: The Life of a Jazz Singer" makes its U.S televisiondebut Monday, June 7 (8 p.m. ET/PT) andtells the astonishing story of one of the greatest American jazz singers of all time-a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and those who knew her. After kicking her drug habit in 1967, O'Day returned to prominence, giving a strong showing at the 1970 Berlin Jazz Festival and starting her own record label. © 2021 Madavor Media, LLC. In the late 1930s, O'Day joined drummer Gene Krupa's band in Chicago, recording the hit song "Let Me Off Uptown" that first brought her fame. 1940s - 2000s. Now, he can talk plainer than that. Interviews; Lists; Streams; Videos; All Posts; Recommendations. Anita O'Day: The Life of a Jazz Singer, a biographical documentary about the artist, is now out on DVD. Anita O’Day was one of the greatest of American jazzsingers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. Submit Corrections. November 23, 2006 in Los Angeles, CA. Even with that uninspired title, Anita O'Day: The Life of a Jazz Singer is a fitting tribute, a fascinating and swinging documentary. She had possessed one of the music world's most distinctive voices, the product of a botched childhood tonsillectomy that left her without a uvula, and thus, without vibrato or the ability to sustain notes. Original Score: 3/4 Kam Williams Sly Fox In myriad performance clips, stretching back to the ’40s and threaded throughout the program, O’Day continually dazzles. While peers and critics have no qualms about equating her with Ella, Sarah and Billie, Anita O’Day’s passing in 2006 at age 87 was met with relatively little fanfare by the mainstream media, which is all the more reason to savor this engrossing documentary. 3 personnes ont trouvé cela utile. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. O’Day’s manager at that time, Robbie Cavolina, is one of the directors of Anita O’Day: The Life of A Jazz Singer, a new documentary about her life, and I remember him as quietly loving with her and attentive to her needs. This interview with Anita O'Day was originally broadcast in 1987. Advanced Search. Anita O’Day was one of the greatest of American jazzsingers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. Styles. Interviews with her late in life are interspersed with archival footage of performances and old interviews as well as with comments by friends, arrangers, critics, and other musicians. If you can improve it, please do. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. Become a member and get exclusive access to articles, live sessions and more! Before her death in November 2006 at age 86, Anita O'Day, one of jazz's most complex and rhythmic vocalists, smiled on the music world for six decades. In a mid-seventies interview a young Bryant Gumbel states to O'Day "Your life story involves rape, failed relationships, drugs, and multiple abortions". Died . Anita O’Day was one of the greatest of American jazzsingers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. “That’s the way it went down,” she says at one point, and there’s no sense of regret when she says it. Anita O’Day was one of the greatest of American jazzsingers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. The old ticker is giving. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Facebook; Twitter; Tumblr; RSS; Active. Her career reached its pinnacle in the 1950s, climaxing with a triumphant performance at the 1958 Newport Jazz Festival, before a gradual decline in the next decade, as she began to suffer health problems linked to her heroin abuse. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. She is shown teaching Billy Taylor how to be a jazz vocalist. The interviews are very interesting and Anita speaks with a candor (in the sens of Voltaire) that's fantastic. Genre. Born . Her career was long and eventful, spanning seven decades, with her last album … Given guitarist John Abercrombie’s recent passing, you may be inclined to view Open Land, a film by directors Arno Oehri and Oliver Primus, as something …, To access this content, you must purchase. hide caption. The late Anita O'Day had an unmistakable singing style, halfway between human and saxophone. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. Anita O'Day: a musical pioneer who broke reverse race barriers and was regarded as one of the top female artists of her time. Anita O’Day … This story of bop vocalist O'Day's l… This documentary of a legend was co-directed by Robbie Cavolina and Ian McCrudden who produced with Melissa Davis. She continued performing well into her 70s. 1 – Anita O’Day a été initié à la batterie et à la théorie musicale par le batteur Don Carter, qui deviendra son mari en 1937. Preferring the word “stylist” to “singer,” she was a master of expression, timing and phrasing whose improvisational skills matched any of the instrumentalists with whom she was allied. He says, dig dig the jumps. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. ANITA O'DAY: (Singing) You torture me, zoot, are we living? Anita O'Day: The Life of a Jazz Singer, a biographical documentary about the artist, is now out on DVD. View credits, reviews, tracks and shop for the 2000 DVD release of The Life Of A Jazz Singer on Discogs. The iconic image of Anita O'Day is from “Jazz on a Summer's Day," shot at the 1958 Newport Jazz Festival, where she showed up for her afternoon set in heels, an audacious bonnet and a slinky black dress, treating the crowd (some of whom looked somnambulistic) to a white-hot “Sweet Georgia Brown." Originally issued as Anita Sings the Most, this album was picked up by the American Recording Society and sent out to its members as Anita Sings for Oscar.This was her fifth album for Norman Granz's Verve Records, the label that supplied most of the ARS releases and, some say, her best. Biographical study of one of the greatest of American jazz divas, Anita O'Day, who died in 2006 at the age of 87. Gerald Israel/Getty Images O'Day's that is just they way it went down response is priceless. I'm thinking of leaving him flat. Once again a MUST!!!!! For my ears and heart Anita O'Day was in the same class as Billie Holyday, Sarah Vaughn and Ella Fitzgerald. This interview with Anita O'Day was originally broadcast in 1987. Anita O'Day artist page: interviews, features and/or performances archived at NPR Music This documentary of a legend was co-directed by Robbie Cavolina and Ian McCrudden who produced with Melissa Davis. 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